Mahler Bruch Honeck Dueñas

A Funeral March and a Love Song

Oslo Concert Hall Concert has been played

María Dueñas © Tam Lan Truong

A Funeral March and a Love Song

The emotions on display in Gustav Mahler’s fifth symphony range from mortal fear to the intoxication of love. Master conductor Manfred Honeck conducts, and spanish virtuoso Maria Dueñas is the soloist in Max Bruch’s Violin Concerto No. 1.

Max Bruch’s (1838–1920) Violin Concerto No. 1 was an immediate success when it was performed for the first time in 1868. It was so popular that it actually frustrated the composer for the rest of his life. He wrote two more violin concertos but they were rarely played, and Bruch developed an antipathy towards his most successful work. He had been a violinist himself, and wrote insightfully and enthusiastically for the instrument. His most popular violin concerto continues to delight violinists and their audiences across the world.

In 1901, the year Gustav Mahler (1860–1911) started writing his Symphony No. 5, he had a brush with death during an operation, was forced to give up his ideal job, and met the love of his life. It’s therefore no coincidence that the emotional span of the work is immense. The first movement is a funeral march which from the very first note refers to Beethoven’s fifth symphony. J.S. Bach was another source of inspiration. The fourth movement – the Adagietto – is the most famous piece of music written by Mahler, and it is said to have been intended as a love song without words to Alma, whom he married in 1902.

(Translation from Norwegian: Sarah Osa)

What is played

  • Max Bruch Violin Concerto No. 1
  • Gustav Mahler Symphony No. 5

Duration

Performers

Pre-concert talk

With Dorthe Dreier in Glasshuset (in Oslo Concert Hall) at 18.30.

Tickets

Prices

Price groups Price
Adult 150 - 540 NOK
Senior 150 - 430 NOK
Student 150 - 270 NOK
Child 150 NOK

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Mahler Bruch Honeck Dueñas

Oslo Concert Hall Concert has been played