Violinist María Dueñas

María Dueñas © Tam Lan Truong

A Funeral March and a Love Song

  1. Violin Concerto No. 1
  2. Symphony No. 5
  1. Manfred Honeck conductor
  2. María Dueñas violin

The emotions on display in Gustav Mahler’s fifth symphony range from mortal fear to the intoxication of love. Master conductor Manfred Honeck conducts, and spanish virtuoso Maria Dueñas is the soloist in Max Bruch’s Violin Concerto No. 1.

Max Bruch’s (1838–1920) Violin Concerto No. 1 was an immediate success when it was performed for the first time in 1868. It was so popular that it actually frustrated the composer for the rest of his life. He wrote two more violin concertos but they were rarely played, and Bruch developed an antipathy towards his most successful work. He had been a violinist himself, and wrote insightfully and enthusiastically for the instrument. His most popular violin concerto continues to delight violinists and their audiences across the world.

In 1901, the year Gustav Mahler (1860–1911) started writing his Symphony No. 5, he had a brush with death during an operation, was forced to give up his ideal job, and met the love of his life. It’s therefore no coincidence that the emotional span of the work is immense. The first movement is a funeral march which from the very first note refers to Beethoven’s fifth symphony. J.S. Bach was another source of inspiration. The fourth movement – the Adagietto – is the most famous piece of music written by Mahler, and it is said to have been intended as a love song without words to Alma, whom he married in 1902.

(Translation from Norwegian: Sarah Osa)

We currently have reduced audience capacity due to infection control regulations. Some concerts are therefore sold out or nearly sold out. We hope to be able to welcome larger audiences soon!

Tickets

  • Adult: 150 - 540 NOK
  • Senior: 150 - 430 NOK
  • Student: 150 - 270 NOK
  • Child: 150 NOK
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